06272007 | I do love you



For masking me from all the annoying stuff of the day, consoling my soul and giving me my own cosmos in me in the middle of chaos.




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06232007 | Things I shouldn't have

I shouldn't have lied 'I can't see it' to wear glasses when I was young.
I shouldn't have thought 'It's cool' to have or even suffer from depression when I was young.
See clearly where I am now. Even though,

things are just supposed to happen in one way or another, I know. But still.
I just hope there will be no more like this.







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06072007 | At exhibition


Albert Bartholomé | Dans la serre (In the Greenhouse) 1876
Musée d'Orsay, Paris, France


You will never know what the feelings of this painting really is unless you are not in front of it. That's the difference between looking at paintings on the webs or books and in real. Yet great-great works are still great in actual, like van Gogh's Room at Arles or my secret-loving Monet's The Port at Argenteuil. I've been cheered up and cured up in some ways. But what the ridiculous thing was there were paintings only about 50 or so outside those small pictures hanging on one side of the walls in a not very discreet way.


By the way, I saw a guy who looks like British there. I think this was my first time to listen to actual British accent and it was really way too much sexier than I thought. O My Lord, I almost had a crush on him just by hearing his voice. But he did seem to know paintings a lot and I just tracked his path down so I didn't need an audio guide unlike anybody else. Well, he might have noticed me or not. It's funny. Ah, he also commented about the scale of the exhibition. "It's miserable." Yes, you can say that again.



Exhibition of the masterworks of the Musee d'Orsay
Seoul Arts Center, Seoul
Apr. 21 - Sep. 2, 2007





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06032007 | Sundays for opera


















Sundays are good for listening to opera, especially on those I have brilliant sun shines like today. :)


From top: Figaro (Peter Mattei) tends to Dr. Bartolo (John Del Carlo); Rosina (Diana Damrau) and Figaro; Rosina and Dr. Bartolo; Rosina and Count Almaviva (Juan Diego Florez) in disguise as her tutor.
photo by Ken Howard/Metropolitan Opera






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